-
近期文章
- 2026.04.22 李鍵報告 – CryoScapes: Landscape Painting with Water, Ice, and AI
- 2026.04.22 王中佾報告 – Rising Rive: A Personal VR Odyssey into Your Shadow: AI-Driven Therapeutic VR Experience: AI-Driven Therapeutic VR Experience
- 2026.04.22 林佩穎報告 – From Sci-Fi Imagination to Everyday Interaction: A Narrative Framework for the Self-Awakening Journey of a Smart Lamp
- 2026.04.22 凌采彣報告 – The Dream of Zhuang Zhou: Entangled Agencies in Multispecies Virtual Reality
- 2026.04.08 林佩穎報告 – Entanglement: an immersive art of an engagement with non-conscious intelligence
- 2026.04.08 李鍵報告 – Eye of Flora: Encountering Nature through the Mixed Reality Lens of Plant-Environment Interactions
- 2026.04.08 王中佾報告-Virtual reality experiences for breathing and relaxation training: The effects of real vs. placebo biofeedback
- 2026.04.08 凌采彣報告 – Rethinking Individual Fairness in Deepfake Detection
- 2026.04.01 林佩穎報告 – Embodied Ink: A Multisensory Reinterpretation of Chinese Calligraphy Through Digital Twins and Immersive Realities
- 2026.04.01 王中佾 報告 – Transcendental Chakra: A Multi-Sensory Meditation Spiritual – Journey to Enhance Self-Awareness Based on VR
- 2026.04.01 李鍵報告 – A Demonstration of YUBI: Your Universal Body Interface Using Finger Force to Full-Body Motion for Avatar Embodiment
- 2026.04.01 凌采彣報告 – RoboSax Melody Slot Machine
- 2026.3.11 王中佾報告-SynCocreate：Fostering Interpersonal Connectedness via Brainwave-Driven Co-creation in VR
- 2026.03.11 林佩穎報告 – The Oracle: Ritual for the Future
- 2026.03.11 李鍵報告 – Abstract Language Model
- 2026.3.11 凌采彣報告 – Guanaquerx
- 2025.12.10 陳昱璋報告—物識流：未來物件糸統的數據流設計
- 2025.12.10 林佩穎報告 – 後跨域創作：分裂連續體
- 2025.12.10 陳麗宇報告 – Alter Nature: Exploring Life in Computational Art
- 2025.12.10 李鍵報告 – 分神—接枝：以資本主義與技術論析虛擬實境藝術的延異空間
- 2025.12.10 凌采彣報告—策展典範的轉移？文化平權趨勢下當代藝術的策展思維與實踐
- 2025.12.10 王中佾報告—感同「身受」： 虛擬實境體現他人經驗對同理心與助人意願的強化效果
- 2025.10.29 林佩穎報告 – reconFIGURE: Confronting Audiences with Digital Doppelgängers
- 2025.10.29 王中佾報告-CineVision: An Interactive Pre-visualization Storyboard System for Director-Cinematographer Collaboration
- 2025.10.29 李鍵報告 – ReCollection: Creating synthetic memories with AI in an interactive art installation
- 2025.10.29 陳麗宇報告 – Generating Multimodal Metaphorical Features for Meme Understanding
- 2025.10.29 陳昱璋報告 – BleacherBot: AI Agent as a Sports Co-Viewing Partner
- 2025.10.29 凌采彣報告 – How Artists Use AI as a Responsive Material for Art Creation
- 2025.10.15 林佩穎報告 She Works, He Works
- 2025.10.15 王中佾 報告 Being in Virtual Worlds: How Interaction, Environment, and Touch Shape Embodiment in Immersive Experiences
- 2025.10.15 李鍵報告 – Algorithmic Miner
- 2025.10.15 陳昱璋報告 – Strategy and Skill Learning for Physics-based Table Tennis Animation
- 2025.10.15 凌采彣報告 – AI Nüshu
- 2025.10.15 陳麗宇報告 – From Virtual to Physical
- 2025.10.1 王中佾報告 – DazzleVR
- 2025.10.1 李鍵報告 – Spread Your Wings
- 2025.10.01 林佩穎報告 Parasitic Finger: Coexistence with Artificial Organism
- 2025.10.1 凌采彣報告 – Public Hand
- 2025.10.01 陳昱璋報告 Blooming Resonant Tea: A Multisensory Dining Experience with Dynamic Visuals and Music
- 2025.10.1 陳麗宇報告 – Interactive Impossible Objects
每日彙整：2025-10-25
2025.10.29 凌采彣報告 – How Artists Use AI as a Responsive Material for Art Creation
How Artists Use AI as a Responsive Mater … 繼續閱讀
發表於 114上學期
在〈2025.10.29 凌采彣報告 – How Artists Use AI as a Responsive Material for Art Creation〉中留言功能已關閉