{"id":2694,"date":"2022-11-14T07:14:58","date_gmt":"2022-11-13T23:14:58","guid":{"rendered":"https:\/\/www.fbilab.org\/xn\/netart\/?p=2694"},"modified":"2024-09-05T06:51:03","modified_gmt":"2024-09-04T22:51:03","slug":"%e5%b0%88%e9%a1%8c%e6%bc%94%e8%ac%9b11-23-telepresence-art-the-evolution-from-proto-internet-to-xr-technologies-in-communication","status":"publish","type":"post","link":"https:\/\/www.fbilab.org\/xn\/netart\/?p=2694","title":{"rendered":"\u5c08\u984c\u6f14\u8b1b -Telepresence Art &#8211; the evolution from proto-Internet to XR technologies in communication (2022.11.23)"},"content":{"rendered":"<p><img src=\"http:\/\/www.fbilab.org\/xn\/netart\/wp-content\/uploads\/2022\/11\/Patryk-Lichota-foto-2-square-1.jpg\" width=\"240\" \/><br \/><span style=\"text-decoration: underline;\"><strong>\u8b1b\u984c&amp;\u5de5\u4f5c\u574a<\/strong><\/span>\uff1a<b>Telepresence Art &#8211; the evolution from proto-Internet to XR <\/b><strong>technologies in communication<\/strong><br \/><span style=\"text-decoration: underline;\"><strong>\u6f14\u8b1b\u8005<\/strong><\/span>\uff1aPatryk Lichota \u535a\u58eb<br \/><span style=\"text-decoration: underline;\"><strong>\u6642\u9593<\/strong><\/span>\uff1a2022\u5e7411\u670823\u65e5 16:20-18:20PM<br \/><span style=\"text-decoration: underline;\"><strong>\u5730\u9ede<\/strong><\/span>\uff1a\u6e05\u83ef\u5927\u5b78\u53f0\u9054\u9928 R102\u6559\u5ba4<br \/><br \/><span style=\"text-decoration: underline;\"><strong>\u5167\u5bb9<\/strong><\/span>\uff1a\u5728\u6f14\u8b1b\u8207\u5de5\u4f5c\u574a\uff0cPatryk\u535a\u58eb\u5c07\u5411\u5b78\u751f\u5c55\u793a theremin \u7684\u5de5\u4f5c\u539f\u7406\u4ee5\u53ca\u5b83\u7684\u4fe1\u865f\u5982\u4f55\u8f49\u63db\u70ba\u6578\u64da\u4ee5\u53ca\u5982\u4f55\u8655\u7406\u5b83\u3002 Patryk\u535a\u58eb\u5c07\u5c55\u793a\u4e00\u4e9b\u4ed6\u9577\u4e45\u4ee5\u4f86\u6240\u5f9e\u4e8b\u7684 VR \u548c AR \u61c9\u7528\u7a0b\u5e8f\uff0c\u4ee5\u53ca\u4ed6\u5728 Ars Electronica \u4e2d\u7684\u4f5c\u54c1\u3008<a href=\"https:\/\/techart-nthu-edu-tw.fbilab.co\/ars2022\/?page_id=22\" target=\"_blank\" rel=\"noopener\">Datafixation<\/a>\u3009\uff0c\u5c55\u793a\u6b64\u4f5c\u54c1\u201c\u5167\u90e8\u904b\u4f5c\u65b9\u5f0f\u201d\uff0c\u4ee5\u53ca\u5b83\u662f\u5982\u4f55\u5728\u865b\u5e7b\u5f15\u64ce\u74b0\u5883\u4e2d\u69cb\u5efa\u7684\u3002<br \/><!--more--><u>Lecture<br \/><\/u>The lecture will present the phenomenon of telepresence from a broad historical perspective &#8211; starting from ancient Greece and ending with telerobotic engineering. Telepresence has its own ontology and research methodology, not only from a technological perspective but also from a media studies, anthropology, and performative perspective. During the presentation, the definition of telepresence will be confronted with virtual reality and telematics. Telepresence reveals modern thinking about communication and changing the sense of the presence of users, which was strongly revealed in the 70s and &#8217;80s in art and early technological solutions, gaining the name of proto-Internet, prototyping many phenomena of modern applications and hardware devices.<\/p>\r\n\r\n<p><u>Workshop<br \/><\/u>It will be an approximation of the practical applications of telepresence today with the use of webVR and webAR technologies (using Three.js, HTML5, and A-Frame library) and the environment for creating video games and 3d real-time interactive applications &#8211; Unreal Engine. The first electric instrument will also be presented &#8211; the theremin, which works touchless. Its electromagnetic waves can be disturbed by hand movements, thanks to which we can change the frequency of the acoustic wave oscillator, which in turn can be converted into any data (datification\/sonification) and used to control any media (light, video image, sound sequences).<\/p>\r\n<p><span style=\"text-decoration: underline;\"><strong>Patryk Lichota<\/strong><\/span> is a musician, composer, improviser, radio producer and curator. He holds a degree in culture studies and musicology from the Adam Mickiewicz University in Pozna\u0144. He is Ph.D. at Theatre and Media Art institute in Pozna\u0144, and teaching students of the programme Interactive Media and Performance, film post-production at the University of the Arts Pozna\u0144 and at the Academy of Art in Szczecin. He is a member of the HAT Center \u2013 Humanities, Art and Technology research centre, as well as artistic director and producer of the festival of improvised music FRIV. He composes music for theatrical productions and radio drama, while creating multimedia installations as well. He composed music for The Case of Josephine H. (2014), The Poison, 16 (2017), Hybryda (2018) by Izabela Gustowska and Transandino and Pierogarnia by Kasper Piasecki. He created the video project Fonoleptic, and is the author of the conception for performances, theatre projects and installation. Together with Marta Romaszkan he is developing FRIV MOVE, a project devoted improvised music and dance. For 9 years has been hosting Audiosfera, a radio show on contemporary music on Radio Afera. He is an author of book \u201cTraditions of noise in sound art\u201d<\/p>\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>\u8b1b\u984c&amp;\u5de5\u4f5c\u574a\uff1aTelepresence Art &#8211; the  &hellip; <a href=\"https:\/\/www.fbilab.org\/xn\/netart\/?p=2694\">\u95b1\u8b80\u5168\u6587 <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=\/wp\/v2\/posts\/2694"}],"collection":[{"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2694"}],"version-history":[{"count":12,"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=\/wp\/v2\/posts\/2694\/revisions"}],"predecessor-version":[{"id":2827,"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=\/wp\/v2\/posts\/2694\/revisions\/2827"}],"wp:attachment":[{"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fbilab.org\/xn\/netart\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}